top of page

ANDREA SÁNDOR

BIO

Andrea Sándor graduated from the Fashion Design MA programme at the University of Art and Design Cluj-Napoca (UAD).

 

A fashion designer, graphic designer, and illustrator who blends tradition with innovation. She has extensive experience in apparel design, graphic arts, illustration, merchandising, and visual branding. Creativity and sustainability are core values in her work, which is guided by the principle: 'Try and leave this world a little better than you found it' (B-P). She is open to new collaborations and creative challenges.

EDUCATION

2023-2025. Art and Design University of Cluj-Napoca, Fashion Design MA 2020-2023. Art and Design University of Cluj-Napoca, Fashion Design BA

AWARDS&MEDIA

3rd Place - New Generation of Creators Award, Molecule F, Cluj-Napoca, 2025 1st Place - Sustainability Award, Perwoll x Henkell, Cluj-Napoca, 2023 Fashion Design Graduates, Elle Romania, 2023

EXHIBITIONS&SHOWS

RADAR, Odorheiu Secuiesc, 2026 Transylvania Fashion Festival, Cluj-Napoca, 2025 UAD Fashion Show, Cluj-Napoca, 2025 Romanian Design Week, on-line, 2024 In Limbo: Navigating the states in-between, Odorheiu Secuiesc, 2024 Creative Sustainability Week, Cluj-Napoca, 2023 Transylvania Fashion Festival, Cluj-Napoca, 2023 Feeric Fashion Week, Sibiu, 2023 UAD Fashion Show, Cluj-Napoca, 2023 Romanian Creative Week, Iași, 2023 Meet & Greet, Odorheiu Secuiesc, 2022

MEMBERSHIPS

2023- . Off Space (Odorhei)

SELECTION OF WORKS

Corps Libre (2025)

The A Corps Libre collection explores the social and cultural transformations of the first half of the 20th century, specifically the fashion revolution of the 1920s. At its core is the decline of the corset - a shift that signifies far more than the disappearance of a garment; it is a symbol of the birth of female liberation, self-expression, and modern identity.

The emancipatory movements of the era, the impact of the World Wars, and the rise of urban lifestyles allowed for a more liberated representation of the female form. This collection captures that evolution through a balance of elegance and freedom of movement, blending Art Deco aesthetics with contemporary design.

Every piece reflects the transition from restrictive corsetry to modern dressing: clean, geometric cuts, straight lines, and minimalist silhouettes follow the body’s natural contours. Innovative and traditional materials are paired with a sophisticated color palette that evokes timeless elegance.

A signature element of the collection is the inclusion of hand-crafted prints on synthetic fabrics, adding a unique visual layer and further emphasizing artistic self-expression. Accessories also play a prominent role: beaded, crocheted headpieces and oversized, handmade earrings lend a bold yet refined character to the look.

Together, the intricate detailing and artisanal techniques become symbols of female empowerment and atemporal elegance, while the collection as a whole celebrates the redefinition of freedom and modern femininity.

Photo credit: David Kato

Essential Connection (2023)

The concept of the scientific project is to develop innovative solutions to address and solve problems related to short product life, quality degradation, consumerism and the fashion industry. The "Essential Connection" collection is based on the modernisation of garments from grandma's trousseau. The main aim is to modernise old clothes while preserving important details. Materials, textures, colours suggest sources of inspiration. In the collection the pieces are made of natural, sustainable materials that are durable over time, but also practical and comfortable to wear. The proposals of materials, embroideries, applications are based on personal observations of natural structures over time. Techniques for manipulating fibres and constructing materials are crochet, embroidery, floral appliqué and mixed techniques. The most important and complex material processing was machine embroidery.

 

First outfit: the entire material is machine embroidered with sewing machine, beige and textile petal flowers applied in several layers.

 

Second outfit: on the poncho the flowers are stitched with buttonholes in the centre; the top is crocheted from 6 tablecloths sewn together.

Photo credit: Raluca Ciornea

bottom of page